After Memling's Portrait of Man with a Coin of the Emperor Nero
Roman Coin
Whereas the subject of Hans Memling’s 15th-century portrait holds a Roman coin discretely in the lower right corner of the canvas, Wiley’s sitter delicately presents the same coin with an arm stretched out towards the viewer. In the contemporary context the coin points to capitalism, but also connects to the original sitter’s claim to an ancient pedigree.