Pattern

For The World Stage: Africa, Lagos-Dakar series, Kehinde Wiley places his subjects before a pattern inspired by so-called Dutch wax textiles. Originating as 19th-century Dutch copies of Indonesian batiks, the wax-resist-dyed fabrics were unsuccessful in their intended Southeast Asian market and instead were sold in West Africa. There they proved popular and became a part of everyday life—to the extent that they are now considered quintessentially West African prints. With these global and market-driven origins, the fabrics raise uncomfortable questions about the legacies of colonialism and notions of authenticity and cultural identity.